I wait for you.
Is it true?
Are you hoping that I come?
Can the turning of this one small heart toward you
Make any difference at all?
Let me show you how.
So, I do.
Best I can
I turn my heart toward you.
I sit in the anteroom of your great court
With anxious anticipation, hoping to be called.
So many others sit with me in this dark and quiet place
Their petitions in their hands, twisting them, folding and unfolding
Frantic hopes scrawled on scraps of paper
Or carefully worded bargains, expecting a price for any favor.
And then, in a far, dark corner I catch a glimpse of you.
This is no anteroom – this is the room, itself
The very place of encounter
But these scraps of paper are our barrier – the veil between.
There is a small brazier in the middle of the room.
Ash-dusted coals glow faintly in its metal frame.
I walk to it and push my own papers through the grate.
I cry as I let them go – they carry my desperation and desire.
When they catch flame, it is my heart that burns.
Yet when my focus is on them, I see you only dimly.
When I have let them go, I find myself within your arms.
You rock me slowly, crooning in my ear.
And, when I have, at last, relaxed a bit
You hand me a small package, wrapped in fragile whiteness.
Within it beats my heart, purified and tempered by the fire.
It glows in response to your touch.
It beats more slowly, more firmly,
Anchored in you.
It is not that my petitions are devalued.
Instead, they have been transferred from my hands to your heart.
You know them deeply; hold them close.
They find their true expression in your warm embrace.
Somehow, for just a moment, I know
That they are more deeply felt
More deeply honored in your hands
Than they would ever be in mine.
Your response is not simply an answer,
But a fulfillment
Not held at arms length, but drawn deeply in.
All is exactly as it should be, where it must be –
Held in an irrevocable, irrepressible love.
May it be so.
May I know the whisper of that truth.
May those I hold in prayer
Know it, too.
Deeply, fully, truly know.
[photo by Matthew Peoples per cc 2.0]